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Upon loading Photoshop, a sidebar with a variety of tools with multiple image-editing functions appears to the left of the screen. These tools typically fall under the categories of drawing ; painting ; measuring and navigation ; selection ; typing ; and retouching. These can be expanded to reveal similar tools. In some newer versions hovering along the tools gives a small Video glimpse of the tool. Photoshop includes a few versions of the pen tool. The pen tool creates precise paths that can be manipulated using anchor points.
The free form pen tool allows the user to draw paths freehand, and with the magnetic pen tool, the drawn path attaches closely to outlines of objects in an image, which is useful for isolating them from a background. The Clone Stamp tool duplicates one part of an image to another part of the same image by way of a brush.
The duplication is either in full or in part depending on the mode. The user can also clone part of one layer to another layer. The Clone Stamp tool is useful for duplicating objects or removing a defect in an image. Photoshop provides an array of shape tools including rectangles, rounded rectangles, ellipses, polygons and lines. These shapes can be manipulated by the pen tool, direct selection tool etc.
In addition, Photoshop provides its own shapes like animals, signs and plants. The eyedropper tool selects a color from an area of the image that is clicked, and samples it for future use. Selection tools are used to select all or any part of a picture to perform cut, copy, edit, or retouching operations.
The crop tool can be used to select a particular area of an image and discard the portions outside the chosen section. This tool assists in creating a focus point on an image and unnecessary or excess space.
The crop tool is in the tools palette, which is located on the right side of the document. By placing the cursor over the image, the user can drag the cursor to the desired area.
Once the Enter key is pressed, the area outside the rectangle will be cropped. The area outside the rectangle is the discarded data, which allows for the file size to be decreased. The slice and slice select tools, like the crop tool, are used in isolating parts of images. The slice tool can be used to divide an image into different sections, and these separate parts can be used as pieces of a web page design once HTML and CSS are applied. The move tool can be used to drag the entirety of a single layer or more if they are selected.
Alternatively, once an area of an image is highlighted, the move tool can be used to manually relocate the selected piece to anywhere on the canvas. The marquee is a tool that can make selections that are a single row, single column, rectangular and elliptical. This tool can also crop an image; it allows for better control. In contrast to the crop tool, the marquee tool allows for more adjustments to the selected area before cropping.
The only marquee tool that does not allow cropping is the elliptical. Although the single row and column marquee tools allow for cropping, they are not ideal, because they only crop a line.
The rectangular marquee tool is the preferred option. Once the tool has been selected, dragging the tool across the desired area will select it. The selected area will be outlined by dotted lines, referred to as “marching ants”. To set a specific size or ratio, the tool options bar provides these settings. Before selecting an area, the desired size or ratio must be set by adjusting the width and height. Any changes such as color, filters, location, etc.
To crop the selection, the user must go to the image tab and select crop. The lasso tool is similar to the marquee tool, however, the user can make a custom selection by drawing it freehand. The regular lasso tool allows the user to have drawing capabilities. Photoshop will complete the selection once the mouse button is released. The user may also complete the selection by connecting the end point to the starting point.
The “marching ants” will indicate if a selection has been made. The polygonal lasso tool will draw only straight lines, which makes it an ideal choice for images with many straight lines. Unlike the regular lasso tool, the user must continually click around the image to outline the shape. To complete the selection, the user must connect the end point to the starting point just like the regular lasso tool.
Magnetic lasso tool are considered the smart tool. It can do the same as the other two, but it can also detect the edges of an image once the user selects a starting point. It detects by examining the color pixels as the cursor moves over the desired area. Closing the selection is the same as the other two, which should also should display the “marching ants” once the selection has been closed. The quick selection tool selects areas based on edges, similarly to the magnetic lasso tool.
The difference between this tool and the lasso tool is that there is no starting and ending point. For this reason, the selected area can be added onto as much as possible without starting over. By dragging the cursor over the desired area, the quick selection tool detects the edges of the image.
The “marching ants” allow the user to know what is currently being selected. Once the user is done, the selected area can be edited without affecting the rest of the image. One of the features that makes this tool especially user friendly is that the SHIFT key is not needed to add more to the selection; by default, extra mouse clicks will be added to the selection rather than creating a new selection.
The magic wand tool selects areas based on pixels of similar values. One click will select all neighboring pixels of similar value within a tolerance level set by the user.
If the eyedropper tool is selected in the options bar, then the magic wand can determine the value needed to evaluate the pixels; this is based on the sample size setting in the eyedropper tool. This tool is inferior to the quick selection tool which works much the same but with much better results and more intuitive controls. The user must decide what settings to use or if the image is right for this tool. The Eraser tool erases content based on the active layer.
If the user is on the text layer, then any text across which the tool is dragged will be erased. The eraser will convert the pixels to transparent, unless the background layer is selected. The size and style of the eraser can be selected in the options bar. This tool is unique in that it can take the form of the paintbrush and pencil tools. In addition to the straight eraser tool, there are two more available options — background eraser and magic eraser.
The background eraser deletes any part of the image that is on the edge of an object. This tool is often used to extract objects from the background. The magic eraser tool deletes based on similar colored pixels.
It is very similar to the magic wand tool. This tool is ideal for deleting areas with the same color or tone that contrasts with the rest of the image. Using simple combinations of keys video layers can easily be modified, with other features such as adding text and creating animations using single images. With the Extended version of Photoshop CS5, 2D elements of an artwork can easily become three-dimensional with the click of a button.
Extrusions of texts, an available library of materials for three-dimensional, and even wrapping two-dimensional images around 3D geometry. Third-party plugins have also been added to the most recent version of Photoshop where technologies such as the iPad have integrated the software with different types of applications. Applications like the Adobe Eazel painting app allows the user to easily create paintings with their fingertips and use an array of different paint from dry to wet in order to create rich color blending.
The program will feature cloud syncing with other devices and a simpler interface than the desktop version. The plug-in allows users to remove noise without the side-effect of over-sharpening, add grain, and even perform post-crop vignetting. From version Artists can add color, adjust the shape or rotate the angles of imported models, or design original 3D models from scratch.
The Color Replacement Tool allows the user to change the color, while maintaining the highlights and shadows of the original image, of pieces of the image. By selecting Brushes and right clicking, the Color Replacement Tool is the third option down.
What is important to note with this tool is the foreground color. The foreground color is what will be applied when painting along the chosen part of the image with the Color Replacement tool. Photoshop and derivatives such as Photoshopped or just Shopped have become verbs that are sometimes used to refer to images edited by Photoshop,  or any image manipulation program. The same happens not only in English but as the Portuguese Wikipedia entry for image manipulation attests, even in that language, with the trademark being followed by the Portuguese verb termination -ar, yielding the word “photoshopar” to photoshop.
Such derivatives are discouraged by Adobe  because, in order to maintain validity and protect the trademark from becoming generic , trademarks must be used as proper nouns. Photoshop’s naming scheme was initially based on version numbers, from version 0.
Adobe published 7 major and many minor versions before the October introduction of version 8. In February Adobe donated the source code of the 1. The first Photoshop CS was commercially released in October as the eighth major version of Photoshop. Photoshop CS increased user control with a reworked file browser augmenting search versatility, sorting and sharing capabilities and the Histogram Palette which monitors changes in the image as they are made to the document.
Match Color was also introduced in CS, which reads color data to achieve a uniform expression throughout a series of pictures. Photoshop CS2, released in May , expanded on its predecessor with a new set of tools and features.
It included an upgraded Spot Healing Brush, which is mainly used for handling common photographic problems such as blemishes, red-eye, noise, blurring and lens distortion. One of the most significant inclusions in CS2 was the implementation of Smart Objects, which allows users to scale and transform images and vector illustrations without losing image quality, as well as create linked duplicates of embedded graphics so that a single edit updates across multiple iterations.
Adobe responded to feedback from the professional media industry by implementing non-destructive editing as well as the producing and modifying of Bit High Dynamic Range HDR images, which are optimal for 3D rendering and advanced compositing.
FireWire Previews could also be viewed on a monitor via a direct export feature. Image Warping makes it easy to digitally distort an image into a shape by choosing on-demand presets or by dragging control points.
The File Browser was upgraded to Adobe Bridge, which functioned as a hub for productivity, imagery and creativity, providing multi-view file browsing and smooth cross-product integration across Adobe Creative Suite 2 software. Camera Raw version 3. Photoshop CS2 brought a streamlined interface, making it easier to access features for specific instances.
In CS2 users were also given the ability to create their own custom presets, which was meant to save time and increase productivity. CS3 improves on features from previous versions of Photoshop and introduces new tools. One of the most significant is the streamlined interface which allows increased performance, speed, and efficiency. There is also improved support for Camera RAW files which allow users to process images with higher speed and conversion quality.
The Black and White adjustment option improves control over manual grayscale conversions with a dialog box similar to that of Channel Mixer. There is more control over print options and better management with Adobe Bridge. The Clone Source palette is introduced, adding more options to the clone stamp tool. Other features include the nondestructive Smart Filters, optimizing graphics for mobile devices,  Fill Light and Dust Busting tools. CS3 Extended includes everything in CS3 and additional features.
There are tools for 3D graphic file formats, video enhancement and animation, and comprehensive image measurement and analysis tools with DICOM file support. As for video editing, CS3 supports layers and video formatting so users can edit video files per frame. They were also made available through Adobe’s online store and Adobe Authorized Resellers.
CS4 features smoother panning and zooming, allowing faster image editing at a high magnification. The interface is more simplified with its tab-based interface  making it cleaner to work with. Photoshop CS4 features a new 3D engine allowing the conversion of gradient maps to 3D objects, adding depth to layers and text, and getting print-quality output with the new ray-tracing rendering engine.
It supports common 3D formats; the new Adjustment and Mask panels; content-aware scaling seam carving ;  fluid canvas rotation and File display options. Adobe released Photoshop CS4 Extended, which has the features of Adobe Photoshop CS4, plus capabilities for scientific imaging, 3D, motion graphics, accurate image analysis and high-end film and video users.
Audition 4 was also made available as a standalone product. Enhanced integration with Adobe Premiere Pro allowed editing of multitrack Premiere projects, and users of third-party software were served by the introduction of OMF – and XML -based import-export functions.
Other new features included improved 5. According to Adobe,  Audition CS5. Audition CS5. Notable features that were present in Audition 3, but removed for CS5. Unlike all the previous versions, this is the first release to be available as a Mac version as well as a Windows version. Adobe showed a sneak preview of Audition CS6  in March highlighting clip grouping and automatic speech alignment which had its technology previewed  in September It included faster and more precise editing, real-time clip stretching, automatic speech alignment, EUCON and Mackie control surface support, parameter automation, more powerful pitch correction, HD video playback, new effects, and more features.
It is the first in the Audition line to be part of the Adobe Creative Cloud. Also, Audition CC is now the first bit  application in the Audition line.
This can provide faster processing time when compared to Audition CS6. New with this release came support for Dolby Digital and Dolby Digital Plus formats, custom channel labels, a new UI skin, High DPI support, enhanced clip and track colors and navigation, minimize tracks, tools for splitting all clips at the playhead, and more.
This release offered Dynamic Link video streaming which enabled Audition to display a Premiere Pro project sequence as a video stream at full resolution and frame rate and with all effects, without needing to render to disk. The 8. Of most importance with this release was the new Essential Sound panel, which offered novice audio editors a highly organized and focused set of tools for mixing audio and would soon be introduced to Premiere Pro allowing non-destructive and lossless transfer of mixing efforts between the two applications.
This release also supported exporting directly to Adobe Media Encoder, supporting all available video and audio formats and presets. A new, flat UI skin and the introduction of the Audition Learn panel, with interactive tutorials, spearheaded this release.
This also marked the introduction of the Essential Sound panel [ contradictory ] and the sharing of all real-time Audition audio effects with Premiere Pro. The This update also offered the visual keyboard shortcut editor common across other Adobe applications and offered native support for the Presonus Faderport control surface and mixer.
The year moniker was dropped from all Creative Cloud applications. With this release, users were able to easily duck the volume of music behind dialogue and other content types with the new Auto-Ducking feature available in the Essential Sound panel. Smart monitoring provides intelligent source monitoring when recording punch-ins and ADR. Video timecode overlay can display source or session timecode without burn-in, a new Dynamics effect with auto-gate, limiting, and expansion simplifies compression for many users, and support for any control surfaces and mixers which use Mackie HUI protocol for communication rounds out the release.
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